While driving, though [don’t try this at home: I’m a highly-trained, professional, distracted driver], I had what I can only describe as a Shaker experience. Got to thinking about some lovely Folk Legacy recordings by Gordon Bok and friends. In particular, a Scots piece they called “Come by the hills.” Also about my recent efforts (by then fairly consistent for fifteen years or so) in daily, prayerful study of the Scriptures. Pretty soon, I’d put a pad of paper on the shotgun seat and was scribbling (yes, unsafely) on it with a ball-point pen. A lot of my favorite scriptural passages just fell into the gentle, folky rhythm of the Celtic ballad. And by the time I pulled into the parking lot at my destination, I’d written down a hymn (if that’s the right term) of ten quatrains. Named it “Exalting Grace.” Shared it around gingerly: how does a Mormon tell his friends (much less his ecclesiastical leaders) that he’s had a Shaker experience? Not much response. It surfaced again in 2002, in the tender, reminiscent, last days of our Timbaloo period. Realized, to my surprise, that, unlike a lot of my old writings, it didn’t embarrass me, a quarter century later. Revisited the text, introduced a few minor refinements, and recorded it to a computer file and to an audio CD. Sang it in a couple of meetings, including a missionary farewell. Nobody was critical, even helpfully. One nice person (can’t for the life of me remember who) actually took a copy and sent it to Church headquarters, where a kindly functionary replied that they’d keep it in the files. Guess that’s how the Restoration registers a rejection slip. By the time I thought about “Exalting Grace” again, it was 2010. I’d fallen in love again, this time with Doctrine and Covenants 78:17-19: 17 Verily, verily, I say unto you, ye are little children, and ye have not as yet understood how great blessings the Father hath in his own hands and prepared for you; Cycling along the Santa Ana River with daughter Cyndi and grandson Matthew, in early September, 2010, I received something like an angelic P.S. We only did eight miles, but by the time we got back, the ninth verse of the current version (below) had become inevitable. So I’ve decided to put the story and the song out on this blog; it’ll be interesting to see if it draws any attention. Even negative attention: that’d hurt some, but I think I’d prefer it to the hitherto bleak, hollow silence. It’ll also go into my hypertext personal history, not that that’ll earn it any more attention… 1. Come unto me! I am Christ, the Savior of men. If you care to, you may download here sheet music (PDF) and an audio file (MP3—6MB+) of Debbie and me singing last year's version. It's surely presumptuous of me to say so, but I continue to believe that this little unsolicited project plugs a significant hole in our hymnody. I'll save that argument for a later posting. |
Wednesday, September 8, 2010
Exalting Grace—a Shaker experience
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Wonderful, Andy. Truly a beautiful hymn! The tune is lovely, and I know you and I may disagree slightly on accompaniment, but I could hear a beautiful organ arrangement to back a full choir on this hymn. The words are inspiring, and as you've allued, came by inspiration I have no doubt. My only concern is that if we can't even manage to sing all 7 verses of How Firm a Foundation, how are we going to sing 11 verses of Grace? I'm being somewhat facetious, but it is a sad reality. I'm just not sure which verses you would cut. Maybe you do what Elder McConkie did with I Believe in Christ. He just doubled the song to make 8 verses seem like 4.
ReplyDeleteAnyway, it is beautiful. How do we make sure the next printing of the hymnbook includes Grace?
That's really beautiful! Thank you so much for sharing the story behind the hymn...I personally think you've done a wonderful job with it. Perhaps we could sing it some time? Much love to you!
ReplyDeleteRichard, this is indeed a gift and a treasure. What is most exciting to me is the originality of the form, or perhaps not the form but the tone. Yes, that's it: the freshness of the tone in offering the cherished, unchanging gift. Perhaps that's always the poet's challenge: to show us the old Truths in a way that we can see them anew. And you've done that with the beautiful simplicity of which Eliot wrote:("a condition of complete simplicity, costing not less than everything.") Ah, c'est bien quelque chose de belle, mon vieux!
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